ageism

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Dear Etsy,

Con­grat­u­la­tions. You’ve done it again, and I don’t mean that in a good way. Your oh-so-cute Gift Guides for Grand­mas and Grand­pas went out of their way (before they were edited to CYA) to per­pet­u­ate your stereo­typ­i­cal view of any­one over, oh, say, 35 as com­pletely out of touch with today’s cul­ture and fit only for retire­ment to a rock­ing chair where they can sit all day and knit and rem­i­nisce about the Good Old Days, that is when they aren’t bak­ing cook­ies. I’d have thought that Vanessa, at least, would have learned from the bruhaha that arose from her arti­cle this sum­mer, but appar­ently not.

Funny, the grand­par­ents *I* know are out there build­ing houses with Habi­tat for Human­ity. They are through-hiking the Appalachian Trail, 2000 gru­el­ing miles, while most of you young­sters on the Etsy staff prob­a­bly wouldn’t even make it as far as Neels Gap. They are fill­ing classes at the John C. Camp­bell Folk School and sim­i­lar insti­tu­tions, expand­ing their minds and stretch­ing their cre­ativ­ity to the limit and beyond. They’re still fleec­ing peo­ple half their age, or younger, at the poker table for that matter.

Per­haps I should send my hus­band, a grand­fa­ther of four (ages six to thir­teen), up to your head­quar­ters to show you what today’s grandpa is really like. I’ll make sure he’s wear­ing his brand new Tae Kwon Do black belt, earned just last Sat­ur­day, and car­ry­ing the two pairs of nunchucks that he’s asked for in pref­er­ence to YOUR gift sug­ges­tions this Christ­mas. He can do a lit­tle kumdo (Korean sword) demon­stra­tion while he’s at it — he’ll have the black belt in that in a month or so as well.

In any case, your narrow-minded view­point has got­ten really old; older, in fact, than you think we boomer-generation old­sters are. It’s time you got over your­self and your attitude.

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The fall issue of Belle Armoire Jew­elry was on the stands at Bor­ders Sat­ur­day after­noon.? When I picked it up, the first thing I turned to was the Let­ters to the Edi­tor sec­tion.? It con­tained four very brief, nothing-but-praise entries — not even a breath about the neg­a­tive responses to the Carter Seibels fea­ture in the last issue.? I know that they received crit­i­cal feed­back from sev­eral peo­ple, includ­ing me, but you would never guess from the let­ters, nor from the Editor’s Com­ments, nor any indi­ca­tion of any response any­where from the table of contents.

At first I was a lit­tle per­turbed, but then I remem­bered that this IS a Stamp­ing­ton mag­a­zine.? In all the years I’ve read their var­i­ous mag­a­zines off and on, I have rarely if ever seen a neg­a­tive com­ment.? That seems to be in keep­ing with their whole edi­to­r­ial phi­los­o­phy — much of their pub­lished art­work has a def­i­nite same­ness about it; rarely do you see any­thing out­side very nar­row bound­aries in there.? (There’s a rea­son I don’t buy many of their mag­a­zines any more — in truth they get bor­ing quickly.)

Since they chose not to pub­lish my com­ments, at the risk of being repet­i­tive I’ll post them here:

Dear Edi­tor,

My delight in see­ing a lam­p­work artist fea­tured in the Sum­mer 08 issue of Belle Armoire Jew­elry rapidly turned to dis­may as I read Rice Freeman-Zachary’s arti­cle on Carter Seibels, for two rea­sons.? Appar­ently nei­ther Ms. Seibels nor Ms. Freeman-Zachary fully under­stands the use of presses in mak­ing lam­p­worked beads.? Pressed beads are indeed hand-crafted, formed one at a time at the torch, unlike fur­nace glass beads which are mass-produced using molds and then cut into indi­vid­ual beads.? In the hands of a lam­p­worker, the press is sim­ply another tool in their arse­nal, allow­ing cre­ation of forms that would be extremely dif­fi­cult, if not impos­si­ble, with­out their use.? Let us not for­get that “hand-formed” beads are actu­ally shaped with tools, not actual hands, as well!? The qual­ity of the result­ing bead depends on the skill and vision of the artist, regard­less of what tools are used to form the bead — whether pressed or hand-formed, a bead can be exquis­ite or merely ordinary.

Far more dis­turb­ing, though, was the para­graph where Ms. Seibels equates “middle-aged” bead­mak­ers with tra­di­tional work, and younger artists with exper­i­men­tal and thus more cre­ative work.? Such gen­er­al­iza­tions are dan­ger­ous! To many peo­ple, “tra­di­tional” implies bor­ing, stodgy, and ordi­nary — words which no one wants applied to them­self or their work. Had this ageist remark referred to dif­fer­ences in race or gen­der, I hope it would never have seen the light of print.? As a “middle-aged” artist myself, I hope that the edi­to­r­ial staff, Ms. Freeman-Zachary, and Ms. Seibels will con­sider their words far more care­fully in the future.? Fur­ther­more, I sug­gest that you take note of such cre­ative lam­p­work­ing vision­ar­ies such as Andrea Guarino-Slemmons and Lydia Muell, both decid­edly older than Ms. Seibels her­self and both of whom have aban­doned eBay for other, more artist-friendly, sales venues.

Sincerely,


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It must be too hot to play with glass in many locales, because the blog post­ing has picked up. After all, it IS usu­ally cooler sit­ting in front of a com­puter screen than in front of a torch!

The Carter Seibels fea­ture arti­cle in Belle Armoire Jewelry’s Sum­mer issue con­tin­ues to gen­er­ate reac­tion among the lampworkers:

In other postings:

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Per­haps it’s just the Dog Days of Sum­mer, but the lam­p­work­ing blo­gos­phere has been a lit­tle, well, cranky this week. It’s made for some inter­est­ing read­ing, that’s for certain!

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Most of us know bet­ter by now than to make racist or sex­ist com­ments, at least in pub­lic.? Ageism, though, seems to still be con­sid­ered fair game, at least among cer­tain venues in the craftosphere.

First there was this lit­tle gem from the Etsy Forums:

Vanessa says

(snip) Here’s the thing. We really want to rep­re­sent the older demo­graphic of Etsy sell­ers. We are not look­ing for the hip, the indie, or the alt craft­ster seller for this one (though we love you guys, you know we do)! We are look­ing for the clas­sic, tra­di­tional, old school crafter. We are dream­ing of a charm­ing, lit­tle old lady who has been quilt­ing for 60 years! Or a black­smith or a fur­ni­ture maker whose tech­niques have been passed down through the ages! Lace­mak­ing, whit­tling, minia­tures (and there are so many more examples…)

If this is you or have noticed a shop like this on Etsy, (or your grandma or grampa or uncle that you’ve been dying to get on Etsy, now is the moment) and you’re in the area, this is your moment to shine!

I wasn’t aware that “clas­sic, tra­di­tional, old school” was the sole province of “charm­ing lit­tle old ladies.”? In my expe­ri­ence, “the hip, the indie, or the alt craft­ster” doesn’t imply young.? After all, it’s my gen­er­a­tion, the early-to-mid part of the Boomers, that was the ‘60s hip­pie move­ment.? If that wasn’t hip, indie, and alt, what was?

Other Etsy staff tried to backpedal, but it was too late. The word is out.? Etsy has to make spe­cial allowances, as it were, for the older folks who just aren’t as hip as the pre­sump­tive tar­get demo­graphic.? I won­der if the Etsy staff has any real idea how old their sell­ers actu­ally are, or for that mat­ter how old their non-selling buy­ers are?

Fol­low that with the recent inter­view with Carter Seibels in Belle Armoire Jewelry’s lat­est issue, which adds insult to injury: (empha­sis added)

She stays on top of trends in lam­p­work beads by track­ing the list­ings on eBay, where you can see a huge range of qual­ity and style from the omnipresent mold-pressed beads to one-of-a-kind works of art, from the tra­di­tional col­ors and shapes of beads cre­ated by the typ­i­cal middle-aged bead artist to the more exper­i­men­tal pieces being cre­ated by younger artists just start­ing out.

Does she know the ages of the bead artists on eBay?? I doubt it.? I’m aware of a num­ber of rather young lam­p­work­ers sell­ing on eBay that make what most peo­ple think of as tra­di­tion­ally col­ored and shaped beads, because there’s a decent mar­ket for them.? I’ve also seen many of the most inno­v­a­tive and cre­ative bead artists that I know of, young and old, leav­ing eBay for other venues.

Carter was called out on Lam­p­work Etc. for her com­ments (not just the one above, but her dis­missal of presses and other such tools as pro­duc­ing infe­rior qual­ity beads — not true, but that’s another post for another time).? Unfor­tu­nately, I didn’t read the thread and it’s gone now because it turned rather nasty.? I have it from my reli­able source, how­ever, that her attempts to jus­tify her words only showed that she actu­ally believes that young artists are more cre­ative and edgy, more artist-y if you like.? She’s apol­o­gized on her blog, but it comes across as dam­age con­trol more than anything.

Odd, that.? Many of the lam­p­work artists that I regard as doing truly unique and exper­i­men­tal work left their twen­ties behind long ago.? Andrea Guarino-Slemmons, Marcy Lam­ber­son, Pam Dug­ger — those are just three that come imme­di­ately to mind.? Their work, for me, is far more inno­v­a­tive than any­thing Carter Seibels showed in the Belle Armoire arti­cle, on her web­site, or in stock today at Matilda’s Gar­den in Alpharetta.

Would either state­ment have been taken dif­fer­ently if the speaker had used women vs. men, or Cau­casian vs. African-American, instead of young vs. old?? Would either state­ment have even seen the light of day?? The fact that Madi­son Avenue con­stantly pro­motes youth, youth, youth does not mean that it’s okay to dis­re­spect any­one over 40 — Madi­son Avenue is full of crap anyway.

Ageist remarks are just as offen­sive as racist or sex­ist ones.? You prob­a­bly won’t ever change your race or your gen­der, but you damn well are going to become one of us “middle-aged folks” sooner than you think…and you don’t want to find out just what a bitch karma is when you get here.

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