glass beads

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I work most­ly­with borosil­i­cate glass (bet­ter known as Pyrex), which tends to make me a mandrel-killer. These man­drels are stain­less steel TIG weld­ing rods so are meant to han­dle heat…just not the kind of heat I need to make that glass MOVE where and how it’s sup­posed to move.

I burn through 3/32″ man­drels rou­tinely when work­ing on bigger/more com­plex beads or when try­ing to do two or three basics on a sin­gle rod. I can even burn through a 1/8″ man­drel with­out any real prob­lem. I haven’t quite burned through a 5/32″ man­drel (the ones I use for Pandora/Troll type beads) but I’ve come unnerv­ingly close.

Try­ing to make small beads with small holes for ear­rings and such calls for a 1/16″ man­drel. With ordi­nary man­drels they are an exer­cise in futil­ity for me. Fif­teen sec­onds in the flame and POOF! PLOP! There’s my molten glass on the table­top with a man­drel bit stick­ing out each end, des­tined only for a watery grave.

Then AuraLens came out with their “Almost Inde­struc­table Man­drels” in a vari­ety of sizes, includ­ing that impos­si­ble 1/16″ size AND two even tinier sizes. Their web­site states “Imag­ine being able to make three or more borosil­i­cate beads on a man­drel and not hav­ing the man­drel melt from exces­sive heat.”

Suu­u­u­ure you can,” said my Inner Skeptic.

I asked Mike Aure­lius if that claim was for real. He assured me it was, so I promptly ordered three dozen 1/16″ Almost Inde­struc­tible Man­drels. I don’t make tiny beads every ses­sion, so it’s taken me a while to really give them a workover.

The ver­dict from here? “Almost” is the oper­a­tive word. I’ve destroyed sev­eral of them so far, but I’ve had to work at it harder, quite a bit harder, than with reg­u­lar man­drels. If I use a lit­tle com­mon sense and turn my flame down a bit (which I should do for the smaller beads any­way), I really can make three nicely shaped 9-10mm or so ear­ring beads on one man­drel and not melt through it. For me, they are worth it. If you find your­self being a mandrel-killer, you may want to
check them out your­self.

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Last night’s crystal-shaped beads were more suc­cess­ful than they’ve been in the past. Def­i­nitely I don’t need to be mak­ing encased crys­tals until I get the unen­cased ones down, though! These also look bet­ter in lighter col­ors, and in transparent/translucent colors.

Also, I love my two Zoozii’s XXL presses (the Kalera XXL and the Straight-Sided Lentil SSL), but boy are they a headache to make any­thing with in borosil­i­cate glass with my small­ish torch! I made ONE Kalera XXL last night, and no mat­ter what I did I could not quite get it pressed down all the way. It still looks good but it’s a lit­tle fat­ter than it’s sup­posed to be and the cor­ners aren’t nice and crisp. That’s not enough to send me back to soft glass, though!

This week­end has to be my last big bead-making push for a bit, since I’ll be in Roanoke next week­end. I wish I was going to have more new items for week after next’s show, but it’s just not going to hap­pen. I’ll have to pon­der some inter­est­ing color com­bi­na­tions to work with over the week­end — any ideas?

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Here I am try­ing to blog every day for a month, four days in, and I have noth­ing to say. Do we call this “blogger’s block,” akin to writer’s block? Or is it just symp­to­matic of the entire day, when I couldn’t get mov­ing this morn­ing, was blah all through class, came home and fell asleep, and after din­ner made a very few, very unin­spired beads.

Since I was so unin­spired, I thought I’d prac­tice using my crys­tal press, which has been chal­leng­ing me ever since I got it. It makes beau­ti­ful beads WHEN you can get it to work right. How­ever, it is extremely sen­si­tive to the amount of glass you use as well as how that glass is placed. That makes it hard to get both a nice shape around the mid­dle, with well-defined edges and points, and nice ends that are even and smooth instead of lop­sided and sharp. It’s even more of a chal­lenge if you want encased crys­tals, since keep­ing the core from bleed­ing out the ends requires some­thing I haven’t dis­cov­ered yet.

At least tomor­row is Thurs­day — shorter class day (with an inter­est­ing topic for once), dance class in the evening, and a three-day weekend.

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I’m not hugely sure about this move, but after mon­i­tor­ing a lot of chat­ter, I’ve gone ahead and opened up a stu­dio at Art­fire.? At the very least, it is an alter­na­tive out­let to Etsy for beads that I want to sell as is.

I’m plan­ning to keep fin­ished pieces, includ­ing ear­rings and the major­ity of the pen­dants, at 1000 Mar­kets.? Art­Fire will be for my bead sets, and for the plain focal beads. The hand­bound books? I’m not sure where I’m going to put them yet. I may spread them out and see what happens.

Then, if Art­Fire takes off at all, that will be a sign to shut down the Etsy shop. I have NOT been happy with Etsy. Their setup encour­ages sell­ers to “game” the sys­tem to try to get expo­sure, and I have nei­ther time nor incli­na­tion for that. Plus it’s becom­ing more and more clear that Etsy doesn’t really give a rat’s ass about their sell­ers, not to men­tion that I have been dis­gusted with their pre­ten­tious pos­tur­ing more than once.

So pop on over and visit Art of the Fire­bird at Art­Fire. As of right now there’s only one item in there, but tomor­row and Mon­day I’ll be pho­tograph­ing and stock­ing to get more avail­able.? And, of course, if you fol­low me on Twit­ter, you’ll get tweets when I add new items (but I promise I won’t spam you with them).

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As a boro glass bead­maker, I’m prone to push­ing my “con­sum­ables” to the limit and beyond. Man­drels and bead release both take a lot of abuse at my hands. It’s no trou­ble at all to melt through a 3/32″ stain­less steel weld­ing rod as I smooth out the glass I just wound onto it…that is, if the bead release on that man­drel hasn’t already cracked and bro­ken off in the ini­tial heating.

Even if the bead release sur­vives the ini­tial heat­ing, there’s a good chance that as I start shap­ing and press­ing and reheat­ing the bead it will either flake off the rod (often land­ing in the molten glass just where I don’t want it) or break loose UNDER the glass, leav­ing me with a free-spinning blob that won’t stay still to be shaped into a bead. If I try using one of the “super-holding” bead releases instead, the chal­lenge comes when try­ing to remove the bead from the man­drel after anneal­ing, and then in clean­ing the bead release off the bead — dirty beads being a big no-no!

Try­ing to make boro beads on a 1/16″ man­drel to get the tiny holes so help­ful when mak­ing ear­rings wasn’t some­thing I con­sid­ered at all until Mike Aure­lius of Auralens started sell­ing high-temperature steel man­drels. He claimed, when I asked, that the 1/16″ size would indeed hold up to boro work or I could have my money back.

At about the same time, I met John and Tara Roberts at the Atlanta Bead Extrav­a­ganza. John had reached the same con­clu­sion about bead release as I and sev­eral oth­ers — bead releases for­mu­lated and tested in the Desert South­west, or even the Pacific North­west, just aren’t going to work well in the hot, humid South­east.? John, though, had gone fur­ther and devel­oped his own for­mula espe­cially for this cli­mate. He gave every lam­p­work­ing ven­dor at the ABE a sam­ple bot­tle and asked us all to test it out and see how it worked for us.

Finally I’ve got­ten a chance to test both Mike’s man­drels and John’s bead release. Both are liv­ing up to their claims rather well so far!

I did man­age to burn through the first of Mike’s man­drels that I tried, but let’s face it, I was TRYING to burn through it. Yes, I suc­ceeded, but it took some work to do so! Since that one, I’ve taken rea­son­able care with teeny beads on those skinny skinny man­drels and have had no problems.

John’s bead release will even­tu­ally flake with enough hard press­ing, but again, that’s real abuse. By and large it holds the glass very well with­out crack­ing and flak­ing at the first sign of heat and pres­sure like so many of the other for­mu­las. The beads are com­ing right off the man­drels with just a lit­tle soak before­hand, and the bead poop cleans out of the holes with just a quick pass or two of my diamond-tip reamer in my mini-Dremel.? So far I’d say it deserves its name of “Best Bead Release.”

I’ll be get­ting more of both these prod­ucts when I run low!

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