Southern-Flames

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One way to get inspired is to occa­sion­ally hang out with fel­low lam­p­work­ers.? I’m for­tu­nate enough to live near Atlanta, which is large enough to have a com­mu­nity of lam­p­work­ers and bead­mak­ers who come together as the South­ern Flames, which is a chap­ter of the Inter­na­tional Soci­ety of Glass Bead­mak­ers.? Peo­ple always come to the monthly meet­ings wear­ing their work, and bring­ing addi­tional pieces to show and receive com­men­tary on.? Where else can you, live and in per­son, see such a rich vari­ety of styles and approaches to lam­p­work but in a gath­er­ing of your peers?? (Well, there’s The Gath­er­ing, but I would expect that it goes beyond com­pre­hen­si­bil­ity to overload.)

At tonight’s meet­ing we held the annual Bead Swap, where when it is your turn to pick an item from those brought to swap, you can either “steal” an item some­one else already has, or open a new item.? There was a huge vari­ety of beau­ti­ful work there, from the adorably cute to the dain­tily fem­i­nine to the utterly stun­ning.? Every piece had inspi­ra­tion and tech­nique to offer.

I felt rather good in the end, because although my con­tri­bu­tion (a set of boro rounds) was one of the last few items opened, it still had a chance to be stolen from its orig­i­nal selec­tor! I was also amused to hear all the “what did they use?” com­ments as the set was passed around for every­one to see.? The guys (Brian, Carl, and Michael, who all work boro) fig­ured it out, but all of the women assumed it was one of the expen­sive hot-thing COE104 sil­ver glasses.? Nope, just boro!

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The South­ern Flames Demo Day was yes­ter­day. For $10 you get to sit there all day and watch demos by your fel­low glass artists, schmooze with them, and eat a yummy chili lunch. I always opt for Gerry’s white bean and chicken chili — not too hot and utterly delish.

The six demos were as var­ied as the mem­bers’ inter­ests. Nita van Til started off with a shock­ingly easy “gold bead” — white, pale aqua, sil­ver foil, voila! Karen Bare­field fol­lowed up with her take on set­ting cubic zir­co­nias in beads. Sadly, you can’t use CZs with boro. Then Brian Renoud showed how to do two boro pen­dants. That, of course, I watched with full atten­tion, and I think it paid off — I did a pen­dant tonight myself, and though the design might not be great, I think I DID finally do a suc­cess­ful loop!

After lunch we had Marcy Lam­ber­son with a heart land­scape bead, Diane Kovach with a semi-hollow Bulls­eye fish, and fin­ished off the day with Lance McRorie sculpt­ing the human fig­ure. After some has­sling from the female con­tin­gent of the audi­ence, Lance agreed to do a male fig­ure, not a perky-boobed female, for once. It’s always fun and edu­ca­tional to see how dif­fer­ent peo­ple approach glass, and how each person’s per­son­al­ity ends up reflected in their product.

Dee came over from Augusta for the day, just for this, and Min­cot was there, of course. That was just the icing on the cake, get­ting to hang out with my two favorite glassy peeps, as well as some other won­der­ful folks.

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The Larry Scott class offered through South­ern Flames last week­end was, to me, many things:

  • A huge edu­ca­tion. Larry demon­strated many tricks and tech­niques that I had never before seen, and explained some things I had seen before in a new way so that I finally “got it.” I sort of under­stood the idea behind lin­ear encas­ing already, but was miss­ing one lit­tle aspect — the very acute angle of the cas­ing rod rel­a­tive to the bead. Now I can do it (though I still need prac­tice, duh). I’m also totally sold now on using boro pun­ties for mak­ing cane and lat­tic­cino, because my hands can twist the pun­ties much eas­ier than mandrels.
  • An impressively-run work­shop. South­ern Flames knows how to do things right! The orga­ni­za­tion pro­vides bagels & cream cheese if you don’t have time for break­fast; the class TA takes lunch orders and brings your lunch back so you don’t lose so much time going out to get it; var­i­ous lit­tle things like man­drel hold­ers, stick­ers to put on your man­drels, water cups, and so on are already set up. Oh, and Carl was a most excel­lent TA.
  • A really, really frus­trat­ing expe­ri­ence. Okay, so I was the least-experienced glass per­son in the class, and it did show at times. I was work­ing on a Minor burner, when I run a Beth­le­hem Piranha at home, so my torch wasn’t always doing what I expected. I didn’t have quite enough elbow room so had to be care­ful of the space around me. Pos­si­bly the worst thing, though, was the floor right behind my chair — every time some­one walked on it, it jig­gled, jig­gling me, usu­ally right when I was try­ing to pre­cisely place a dot on my bead. I’m dot-challenged enough any­way, so I don’t need any fur­ther hin­drance. In the end, of the six beads I attempted, only one came out fairly decent. Four oth­ers were more or less show­ing the tech­nique but far from accept­able, and the last one…well, the Night Sky bead went into the water cup after first the bead release broke and then the bead itself broke.Some things are just bet­ter attempted at home on famil­iar ground!
  • A ver­i­ta­ble feast of eye candy. Larry’s beads are to die for. I wish I could have afforded to buy more than one. I’ll just have to prac­tice mak­ing my own variations.

I did indeed get my money’s and time’s worth out of the week­end, and I would highly rec­om­mend Larry’s classes to any lam­p­worker. Any prob­lems with the class were strictly due to the stu­dent, not the teacher, LOL.

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At the last South­ern Flames meet­ing, I was off to the side fill­ing out my form as I tried to choose which of three beads from the Folk School class I was going to sub­mit to be pho­tographed for the 2006 post­card. Wal­ter, one of the long-time mem­bers, looked over my shoul­der to see the beads. When I men­tioned that I’d only been lam­p­work­ing for seven months, he com­mented, “Really! I’m very impressed!”

Nice, espe­cially since I was feel­ing par­tic­u­larly klutzy (hav­ing knocked a con­tainer of the shop’s beads onto the floor a few min­utes ear­lier) and infe­rior (from see­ing all the other GORGEOUS beads from other peo­ple) at that moment.

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